Our city
The seasons tell us that the festival of Ethelochory is here and we have been up all night, putting the finishing touches to our festival bicycles, because scattering seeds to the wind is our responsibility now.
When it comes, we are ready for the dawn, hungry for sunshine. Breakfast is served to eager, sparring mouths all along the communal table, and on the kitchen floor for the more-than-human residents, purring and barking too.
I grab a Wild Cleaver coffee and hover until a place at the table is free. I know people who can say they still remember the taste of real coffee, but I can’t say I do. Besides, foraging for Cleaver seeds is fun, easy and left to children, or anyone that finds the idea of wading through sticky weeds and then shaking their clothes off to harvest them amusing.
Two friends finish together and, as they make room on the bench, I slip into the conversation in their place. I tear through my breakfast and, from outside, I hear great doors slide open and the hiss of decoupling and tik tik tik of bicycles being moved in the beckoning, morning air.
My locally grown breakfast was delicious and I catch my reflection, grinning back at me, in the plate I have licked clean. A plate I made myself. I stack it with the others and race outside.
The festival bikes are fully charged and already unplugged. Their electric motors aren’t purring, not yet, but poised like so many cats, happily stretching in the warmth of the sun, ready to pounce on the day. I grab the nearest bicycle and run my hands over it – thick tyres to grip the road as sure as claws – a firm frame fierce with faded fire decals – paniers pre-packed with everything a solarpunk needs to survive out there in the city on festival day.
We ride.
From the top of the hill, we can see the whole of the city laid out before us. It is unnerving to sit like a god above it all, we are not comfortable with this disconnected feeling, but soon we will be down there and part of it all again. From up here, we see the grids where people tried to tame the city and beautiful scars where we let nature back in. I see all the things a land needs to survive – trees roots to bind the blind world of soil together, shade for humans and more than humans to enjoy, space to walk in, space to meet each other in, space to ride in.
We ride downhill, toward the heart of the city.
I remember a story my father used to tell, of a similar hill, in a different city, in a different time. He was ten years old when he stood at the top of that hill and the kids down below gave him the thumbs up and pushed the pedestrian crossing button. Ten years old when he stepped onto his skateboard and pushed off, down that hill, to the crossroads where his neighbourhood met the three lane freeway. Long ago, in a far away land where cars sped, hindered only by the god-like finger of traffic lights. Halfway down the hill and he sees the light turn to amber. But cars don’t stop for amber and neither does he – he just keeps getting faster.
And faster – now the light flips red and the river of cars breaks and he flies, untouched, unscathed – alive – across the road, cheers as he makes it through. I can see my father panting in breathless triumph, as the cars start to flow again and he turns, hammering that button, to part the cars and climb the hill and risk it all, all over again.
On our road, there are bikes all around me, close enough to touch, and we do touch, as we fly down our hill, toward the docks. We flow, like water, a wave tumbling, frothing. On this hill, in this time, there are no cars to stop us.
Down amongst the buildings now, we surge past a common, the public house, “The Goose” is open early, not to serve alcohol, but to serve as a community base, for anyone who doesn’t have anywhere to be at this hour. We hear laughter and someone waves to us, but we have somewhere to be.
We flow past a tower block and feel how fast we are going as sunlight strobes fierce, from in between the buildings. It is blinding and exhilarating. Then, as we emerge, there are cries as we see the edge of the docks, at the bottom of the hill. History is at our backs, the city changed by our presence. Side streets crowd us, like possibilities. Some of us take these branches – to make deliveries, to plant seed balls, to run with dogs – but we hurtle on, compelled by everything that has come before us, energised.
I see one group of bikes burst off from the pack and splash to a halt, slamming into an energy dock at The Fourth Hunger noodle bar. Though they have come to a halt, they pedal on, their wheels spinning, grinding power into energy on the treadmills, like mills used to. Some riders dismount and slip behind the empty bar, picking power attachments from the modular menu. As their friends continue to pedal, the attachments power up the oven, grind the flour and top up the refrigerator energy to keep the yoghurt cool. Yoghurt pizza bases will be happening in no time.
A cargo bike peels smoothly off from the pack and hurtles down a side road, its bin packed to the brim with heavy tools, bound for the tool-share shed. To our left we see the city is healing, simple home improvements being made to existing houses, traditional skills see seaweed insulation going in, where there was none before.
To our right, the city is growing, new homes are going up, people gather at the foot of an unfinished house, curiously handling unfamiliar materials, looking forward to learning new skills. In the next street, newly finished houses bring the joy of man’s expression through work to the sparkling morning in an art nouveau explosion, swirls and tangles bursting from simple, handmade decorations.
Ahead of us now, I see the edge where the city simply stops building and fussing and people gather to look out and upwards from the jagged piece of land where the earthquake decided to heave the road in two. The people who survived it never fenced it off, just left it as a monument, a gash in the continuation of the spectacle, a break in the capitalist fever dream of life created for the road.
At the road’s end, the human part of the festival is waiting for us in brightly dyed clothes, sunbleached instruments wailing to and fro. Flashes of reusable bunting catch my eye and the wind and the riders fan out and take formation. The end of the road rushes to meet us, the cliff laughs wide before us, the wind in our faces does not daunt us – it is perfect – for – takeoff.
The spectators cry out as we launch off the end of the sky-dock, off the edge of the city and into the blue. My bicycle wings deploy and catch the wind, their solar skin sucks up the sun and my propeller whirls into action. As we drift up, above the city, I pull my festival lever and my paniers part as I scatter seedlings to the wind.
Around me, everyone is doing the same and suddenly the air is full of glistening, airborne magic. I ease off my pedals, to join the chorus of voices, echoing out clear to the horizon.
We shout:
We are solarpunks
We are imagining an alternative future, a better future, a better now.
We write in collaboration with our community
The hero’s journey is over. Put your feet up, it sounds like you’ve had an exhausting time, did you not think to ask your community for help on your quest? Solarpunk heroes travel in groups and return home in even greater numbers.
We are not picking between Utopia or Dystopia
We are not paralysed by fear and gladly choose solutions over perfection.
We are not climate despairers.(1)
We are not optimists, but we are overflowing with the hope that our writing inspires action and that our imagining alternative futures, not only “reflects the world as it is, but also participates in its transformation.”(2)
We are in opposition to opposition
The opposite of capitalism is not returning to the land.
There are more than two ways to get things done.
We are going to imagine some.
Competition between man and man is a lie, long since over.(3)
We have better ways of solving problems, by working together.
Human and human.
Human and more-than-human.
Non-human relationships are important
More-than-human relationships are all-important.
Pet your cat.
Plant your salad.
Praise your mycelial network.
Solarpunk is happening now
Cyberpunk was a relevant reaction to capitalist calamity and steampunk was a retreat from that future, into fantasy, with hazy, ill-defined technology. But solarpunk has something that we have not seen since the last great collision of art and science in the 1950s. It has its hooks in reality.
In the 1940s, the Golden Age of science fiction believed that “sheer technological accomplishment would solve all problems and all problems were what they appeared to be on the surface.”(4)
It was soon obvious that this was not the case, and this idea was revised when “the dropping of the atomic bomb in 1945 made science fiction respectable.”(5) Overnight, the world saw that change was here and people wanted to know what this meant for them. Science fiction was on hand with stories about how the technology that existed now and would exist soon, would change us.
The 1960s saw comics wither and the genre blossom and mature into book sales. The New Wave told us stories with psychology, sociology and politics added to the science.
The same thing is happening now, for solarpunks
The climate crisis has made solarpunk respectable. Change is here on your doorstep, it is in your hands and so is the technology to shape that change.
Solarpunk already lives off the page, in the now. Talk to solarpunks in your community and they will spin you tales of alternative lives, alternative worlds where things are better, happening two blocks away:
- Community gardens taken back from ugly, corporate wastelands
- Bicycles powering sound systems and charging phones
- People learning to eat seasonally and develop their own food-resilience
As a solarpunk writer, you have the chance now, to help us imagine a better world. Not on your own in front of a screen, but out there, taking what is already happening in this world and imagining worlds where it has already happened.
I am imagining a solarpunk book where, as I turn the final page, I see links that spill off that page and connect with my world. Where I have just read about solar sky-bicycles seeding futuristic cities, my book tells me how to reach out to affordable, community benefiting, solar technology just down the road from me. This technology exists now, it says. Grab your bike.
Sources
- Adam Flynn https://hieroglyph.asu.edu/2014/09/solarpunk-notes-toward-a-manifesto/
- Professor Jesse Cohn, Art Politik p.243 https://www.minorcompositions.info/wp-content/uploads/2013/07/artpolitik-web.pdf
- Wiliam Morris “The condition of competition between man and man is bestial only and that of association human.” https://www.marxists.org/archive/morris/works/1883/pluto.htm
- Algis Budrys (August 1965). “Galaxy Bookshelf”. Galaxy Science Fiction. pp. 186–194.
- Isaac Asimov https://pdfcoffee.com/nightfall-and-other-stories-isaac-asimov-pdf-free.html